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ACCEA
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In ACCEA, Yerevan, Armenia

Tuesday, April 29, 2014

at 5 pm

Address: 1/3 Pavstos Buzand, Yerevan

 

 

henryA lecture by Kendal Henry, an artist and curator living in New York City, USA and specializes in the field of public art for the past twenty-two years. http://reconfiguringsite.sva.edu/faculty/faculty-kendal-henry/
 
The project is conducted in collaboration with ACCEA, Akos Cultural NGO and CEC ArtsLink and supported by the Kettering Family Foundation and The Black Sea Trust for Regional Cooperation.

 

 


 

Kendal Henry is an artist and curator who lives in New York City and specializes in the field of public art for the past twenty-two years. He illustrates that public art can be used as a tool for social engagement, civic pride and economic development through the projects and programs he’s initiated in the US, Europe, Russia, Asia, Central Asia, Australia and the Caribbean.
Kendal believes that the most successful public artworks start with the question, “What do you want the artwork to do”, and takes into account the audience and surrounding environment in the creation of that artwork. While all his public works are different they share a common thread. The artworks are always site-specific, created in collaboration with others (artists, community, designers, etc.) and presented in multiples. He currently teaches at the School of Visual Arts’ Public Art Summer Residency program and is a guest lecturer at various universities and educational institutions including the Abbey Mural Workshop at the National Academy Museum & School of Fine Arts; Rhode Island School of Design Senior Studio; and Pratt Institute’s Arts and Cultural Management Program. Kendal served as the Director of Culture and Economic Development for the City of Newburgh, NY where he created the region’s first Percent for Art Program. Prior to that post he was Manager of Arts Programs at the Metropolitan Transportation Authority (MTA) Arts for Transit for eleven years. During this time, he has overseen the commissioning, fabrication and installation of MTA’s permanent art projects, served as a member of the MTA’s in-house design team, and produced temporary exhibitions at Grand Central Terminal. Previous to this experience he served as a Project Manager at the New York City Department of Cultural Affairs’ Percent for Art Program. Kendal is also the Curator-at-large at the Museum of Contemporary African Diaspora Art (MoCADA) in Brooklyn, NY and was elected to serve two 3-year terms on the Americans for the Arts Public Art Network Council.

 

CEC 

 


 

 

 

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